![]() ![]() In this article, I am giving you one of those videos, and the other two are available in “Shane’s Store.” This is the type of content that we are creating for “Shane’s Inner Circle” each week. There are three different areas where I walk you through the exposure of this platform. (I will be testing the Canon C300 Mark II soon before I can make the judgement that the sensor reacts the same as the current cameras.) Here is what some of the Inner Circle members and Inner Circle Facebook members had to say about this in depth article.Įach test comes with commentary where I discuss what I see in each scenario. This article focuses directly on the Canon C500 but can be easily applied to the Canon C300, C100 and C100 Mark II. The way you expose and understand this EOS sensor will up your game. By using this process, your footage will change overnight. Now I want to show you how I go about understanding the exposure of a digital sensor, specifically with the Canon Cinema EOS Platform – finding its soul, its breaking point, as well as its deep and dark secrets that you cannot find in a Canon manual. ![]() I wanted to share one of the Power Articles from “Shane’s Inner Circle.” Last week, I showed you some of what we are offering on the lighting techniques side, with the “Power of Bounce Light” series. If you love cars, go see this movie, haha! 85% of the film was shot on this camera, along with GoPro HERO 3s, Canon 1DCs and the Arri Alexa. The vision from Director Scotty Waugh was to capture this movie “in-camera” using real stunts, real crashes, and real action. When Canon released the C500 in early 2013, I immediately began testing it for my next project, Need for Speed. ![]() In my pursuit of finding the right camera for each project, I take time to find out how to get the most out of a given camera platform. On the set of Need for Speed with Director Scotty Waugh ![]()
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